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Example 1 is a four bar section from the track Celtic Belt.
This uses sweep picking, alternate picking and hammer-ons and
pull-offs. Pay attention to the rhythm change from triplets to
16th notes. |

Example 1: Celtic Belt |
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Example 2 is a C major arpeggio
from the track Juicy Lucy. This run uses sweep picking with
a sixteenth-note triplet feel over a C major backing. |

Example 2: Juicy Lucy |
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This run from the second solo in Elation uses
sweep picking combined with the pull-off technique. This
example is not very fast but many beginners struggle to obtain a
fluid, even sound when the pick pauses for the pull-offs. |

Example 3: Elation |
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An excerpt from one of the triplet melodies in Opus
2 is shown in Example 4. This uses sweep picking across all
six strings. Strive for clarity with each note as you play
this exercise. |

Example 4: Opus 2 |
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Ten note sequences used during the solo in
Mushrooms of Fire. |

Example 5: Mushrooms of Fire |
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Sweep picking excerpt from the final verse in
Shades of Blue. |

Example 6: Shades of Blue |
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Sweeping and tapping across all six strings
during the solo in Electric Storm. |

Example 7: Electric Storm |
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Sweep picking and pull offs from the first
section of Electric Storm. |

Example 8: Electric Storm |
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Tapping example from the end of the solo in
Mushrooms of Fire. |

Example 9: Mushrooms of Fire |